SDH, “Fake Is Real” July 3, 2023

pel mel, “Late Late Show” June 13, 2023

The Illuminating Light of Love and Rockets: An Interview with David J April 18, 2023

Nuovo Testamento Embrace Pop Life March 17, 2023

Kate Fagan, “I Don’t Wanna Be Too Cool” February 22, 2023

“Young Limbs Rise Again, The Story of The Batcave Nightclub 1982-1985” Compilation and Book Zeroes in on Goth’s Formative Lair, The Batcave February 8, 2023

Kiss Me I’m Haunted: Dracula O and His Plaaay House February 15, 2023

Kate Ferencz, “You Will Love Again” January 9, 2023

The 50 Best Goth Songs of All Time October 31, 2022

Parisian Sydney Valette Examines Heartbreak and Isolation With His “Home Alone” LP September 21, 2022

A History of Latex in Goth and Industrial Music September 13, 2022

Mona Demone, “S3RP3NT” August 29, 2022

Shiny, Lubed Up, and Raring To Go August 24, 2022

A Mindfuck With Lots of Simulated Sex and Violence August 22, 2022

Dungeons, Boudoirs, and Bondage Wear July 29, 2022

Andrew “Fletch” Fletcher of Depeche Mode Dies at Age 60 May 26, 2022

Esplendor Geométrico Celebrates 40 Years of Experimentalism March 16, 2022

Rhys Fulber Explores Dichotomies With His “Brutal Nature” LP March 16, 2022

Curses Premieres the Lustful Vampire Track “Miriam” + Q&A February 21, 2022

Listen To the Whiplash of Emotions On Coatie Pop’s “Deathbed” LP February 19, 2022

Boy Harsher Premieres the Video For the Cinematic Dance Fantasy Of “Machina” Featuring Ms. Boan January 12, 2022

The Cataclysmic Anxiety of Lower Tar’s LP “Abstract Parasite”: An Interview with Ori Ofir November 22, 2021

The Antelopes Unearth Classic Early 80s Post-Punk Tracks For “Breaking News” November 5, 2021

Riki Defines Postmodern 80s Glamour and Decadence With Her Video For “Marigold” September 29, 2021

The Enchantment of Second Skin: An Interview With Brian DaMert September 22, 2021

The Stick Figures, Florida’s Long Lost Post-Punk Band, Premieres the Unreleased Track “Yesterday” + Interview September 1, 2021

Janet & The Icebergs: The Mysterious Pseudonym Used By The Banshees In 1980 July 15, 2021

The Shortlist, June 2021 July 14, 2021

Listen to Nuovo Testamento’s Fantastic Dark Italo Disco LP “New Earth”—Plus Interview June 24, 2021

Curses’ “Next Wave Acid Punx” Comp Chronicles Four Decades of Dark Club June 9, 2021

Templər’s “Myths and Consequences” Offers No Reprieve, Only Darkness June 9, 2021

Terri Nunn’s Flirty But Ferocious New Wave Style May 6, 2021

How Coil’s ‘Love’s Secret Domain’ reshaped industrial music for the dancefloor April 30, 2021

An Interview with Newboy + Video Premiere for the Groovy, Minimalistic EBM track “Rain Clouds” April 2, 2021

Grauzone, “Limited Edition 40 Years Anniversary Box Set” March 10, 2021

Billy Idol’s Punk Rock Meets Sci-Fi Attempt With His 1993 Concept Album, Cyberpunk February 8, 2021

Dale Bozzio: New Wave’s Neon Babe January 21, 2021

Sci-Fi Lore Turned Reality: An Interview with Rhys Fulber of Front Line Assembly January 15, 2021

PC World’s “Strategy Beat” is Temperamental, Unadulterated EBM January 13, 2021

Luz Futuro’s ‘Falsos Techos’ EP is Devoted to Dreams December 28, 2020

Post-Punk.com Best of 2020 December 1, 2020

The Shadow of Fear Around Cabaret Voltaire November 20, 2020

An Introduction to Russian Post-Punk with Ploho and Molchat Doma November 13, 2020

Punk Rock Pornography: the Jello Biafra and H.R. Giger Trial November 3, 2020

Clubbing, Fashion and Feminism with Johanna Constantine October 1, 2020

“A Sort of Hetero-Erotic Thing” – Coil’s New Age Soundtrack for ‘Sara Dale’s Sensual Massage September 23, 2020

The Sic F*cks Chop It Up in 1982 Slasher Flick ‘Alone in the Dark’ September 2, 2020

Fantasy, Sex, and Enertainment: Kahn & Bell’s New Romantic Fashion August 20, 2020

Current Synth Pop Acts You Should Know August 11, 2020

Perri Lister: The Doyenne of the New Romantics July 27, 2020

The Nightlife Outlaws: Wolfgang Wesener Photos of NYC in the 1980s July 14, 2020

Dig It: The Album Art of Steven R. Gilmore July 2, 2020

The Origins of the McLaren/Westwood Cowboys Shirt June 18, 2020

Subversion, Sexuality, & Power: An Interview with Toby Mott on Violence Grows June 11, 2020

The Small Fought Battles To Tell The Story: Music Journalism Post Outbreak May 2020

The Immutable Legacy of Florian Schneider: A Collection of Kraftwerk Covers (That Don’t Suck) May 10, 2020

Liaisons Dangereuses and the AB Sound May 8, 2020

Her Little Goth Heart: Jolene Siana’s Midwestern Subculture Photography April 22, 2020

Danielle Dax’s Tough but Tender Animalistic Style is Uniquely Her Own March 30, 2020

Parlor Walls’ “Heavy Tongue” February 24, 2020

Katie Gately’s Stunning Art Pop Triumph “Loom” was Written in the Shadow of Loss February 5, 2020

What is Undead May Never Die: Bauhaus’ Triumphant Return After 13 Years

Behind the Mask with Dark-Pop Phantom Kontravoid September 20, 2019

The Driving Deathrock of Secret Shame Reflects the Troubles of Their Hometown September 5, 2019

Boy Harsher are the Cinematic Sound of Heartbreak September 3, 2019

Peter Murphy Residency – Review of “Love Hysteria” and “Deep” August 8, 2019

Charles Manson’s Cultural Capital August 5, 2019

Album of the Day: Coil, “The Gay Man’s Guide to Safer Sex (OST)” July 9, 2019

The Cure’s ‘Disintegration’ at 30 May 2019

Nightclubbing: Planet-X and and Liverpool’s Post-Punk Era March 11, 2019

Skinny Puppy’s cEvin Key Walks Us Through ‘Brap & Forth Vol. 8’ November 8, 2018

Detriti Records Keeps the Flame of Classic Post-Punk July 24, 2018

Qual Premieres New Video “Disease X” + Interview June 20, 2018

The Harsh Noise Movement Label Searches the Globe for Punishing Sounds June 13, 2018

No Hope, No Fear: Industrial Music in Zagreb February 8, 2018

Album of the Day: Trepaneringsritualen, “Kainskult”  October 26, 2017

5 Acts to see at Cloak & Dagger… October 24, 2017

Review: ‘Faithful & Devoted’ The story of a Depeche Mode Addict September 18, 2017

13 Striking Contemporary EBM Releases July 20, 2017

Advanced Art’s Futurist Legacy June 27, 2017

Psyche’s Unveiling the Secret 30 Year Anniversary Interview May 15, 2017

Wave Gotik Treffen 2016 Recap and 2017 Preview May 13, 2017

Douglas McCarthy on the Chemistry of a Perfect EBM Track May 12, 2017

5 Reasons We Love Spike: Buffy the Vampire Slayer’s Antihero March 10, 2017

Bondage and Lace, Mesh and Codpieces: The Fashion of Martin Gore in the Mid-80s February 17, 2017

Back from the Grave: Altar de Fey on Deathrock’s Origin and Legacy February 15, 2017

Qual’s New EP “Cupio Dissolvi” is Dark, Morbid, and Above All, Danceable February 15, 2017

Madonna’s Pre-Pop Past January 19, 2017

2016 in Post-Punk: “I Should be Sane but I Want to Murder Everyone” December 22, 2016

The Tumultuous Relationship Between Al Jourgensen and With Sympathy December 5, 2016

The Photography of Lux Interior: Camera Man of the Cramps October 28, 2016

Nick Cave Smoking: A Photo Collection October 5, 2016

An Interview with Midge Ure: The Voice of the New Romantic Era Sept 26, 2016

Peter Hook’s Substance: An Interview Sept 19, 2016

Why Kill Time? 40 Years of Electronic Music from Cabaret Voltaire to Wrangler | An Interview with Stephen Mallinder Sept 13, 2016

S/\RIN’s Apocalyptic Sci-Fi Soundtrack Sept 1, 2016

Surrealistic Nightmares: The Art of Rozz Williams July 30, 2016

“Invincible” Songwriter Holly Knight Is Behind Some of Your Favorite ’80s Hits July 29, 2016

Belgrado releases new album ‘Obraz’ July 21, 2016

THE DEAD BOYS: More erotic than Iggy on Iggy June 27, 2016

13th Chime Release The Bats June 24, 2016

Back from the Eighties: A Q&A with Book of Love June 23, 2016

X-IMG label release “Self Aware” | Album Review June 23, 2016

An Ode to Nina Hagen’s Unparalleled Fashion Sense June 6, 2016

Siouxsie and Budgie Interview, 1983 May 27, 2016

The Batcave takes over Danceteria on Friday the 13th, May 1983 May 13, 2016

Proto-Goth Steve Rawlings in Danse Crazy, 1980 May 2, 2016

Danzig’s cozy home interview with Thrasher Magazine, 1986 April 22, 2016

The Ramones at the Queens Museum, Through a Diehard Fan’s Eyes April 8, 2016

Hey! Ho! Let’s Go: The Ramones Exhibition Preview at the Queens Museum April 8, 2016

Wendy O. Williams on Sally Jesse Rafael in 1984 April 1, 2016

The Unlikely Pairing of Sisters of Mercy and Public Enemy March 10, 2016

TISH AND SNOOKY ARE SIC AS F*CK! March 4, 2016

Tracing Depeche Mode’s Fashion Through Their Best Videos March 2, 2016

The Glove’s All-Attitude Performance on BBC2’s Riverside Feb 25, 2016

Mitchell Froom’s Porno Soundtrack for the Nuclear Apocalypse Feb 16, 2016

Shades of Red and Grey: Blitz Kid Scarlett Cannon Feb 11, 2016

John Lydon and Time Zone Jan 31, 2016

Man in the Man: Dave Ball in the 1980s Jan 25, 2016